Categories

Archives

Our power to manipulate stories

Computer graphics are so sophisticated these days it’s hard to know what’s real and what’s fake. These two videos are clearly in the latter category. No one watching them would believe a squirrel can play hacky sack or a penguin become a table tennis whiz.

The ads are no less fun for that. Both tell stories. Both are engaging. Whether or not they are effective in selling beer is something only Carlsberg knows. The first video shows the two ads. The second shows us how the animators created the squirrel ad.

Our digital world puts the story making in the hands of anyone who can afford a computer, a camera, and editing software. I celebrate that because I believe in the power and importance of creativity.

Story making is in our DNA. We can contribute our unique perspectives without needing a stamp of approval, a publisher, a film or recording studio, or a contract.

Where the issue becomes dicey is where the truth of what we’re seeing counts. Consider health claims on processed foods, safety assurances by chemical companies, and promises from politicians.

Documents can be manipulated. Photographs can be cleverly edited. Sound recordings can be pieced together from clips to make someone say something entirely fictional. Research can be skewed.

I do my best not to add to the confusion. A friend has asked me repeatedly why I insist on tracking down the truth of a story before posting it on my blogs. “You’re a storyteller,” she says. “Why does it matter, if it’s a good story?”

That’s a good question. It matters to me because I get tired of the emotion-manipulating stories that prove to be false. I love fiction and appreciate the craft involved in creating a world that is believable from the first paragraph to the final page. But I don’t appreciate being hoodwinked, and I know that much of what comes to me in print or digital form intends to do just that.

I love the stories I find and that people send for my blogs, and I always check them out before posting them. I cannot give an iron-clad guarantee they are true, but I can guarantee I have done enough sleuthing to have confidence in them.

They express points of view. Everything does, even the most “objective” news report or scientific research or courtroom testimony. But they do not intentionally add to the web of deceit that keeps us from making truly informed decisions.

  • Share/Bookmark

Habra with the lion

In a future post I’ll introduce you to an extraordinary storyteller (alas, no longer with us) I met in Paris years ago. His name was Mohammed bel Halfaoui. He had lived in Paris many years as a professor of Arabic literature.

He gave me two collections of his folktales, in Arabic and French. I translated and published one of the stories before his death. “Man With No Brain” appears in Margaret MacDonald’s Peace Tales: World Folktales to Talk about.

“Habra and the lion” is one of my favorite of Mohammed’s stories, even though North American audiences often find it troubling. Outside North America there seems to be less insistence on happy endings.

The version below retains the story line but eliminates Mohammed’s longer embellishments. Perhaps one day his stories can appear in their entirety. They would be best in Arabic, with their poetry and imagery intact.

Mohammed began the story this way: “Mama Zohra loved this story and enjoyed telling it to us. And as always, the lesson to draw from it was of most importance to her: ‘You must take care not to hurt people’s feelings because the offenses are impossible to forget.’ And that’s why I ask you to listen to the adventure of Habra with the lion.”

When a couple quarrels

Book and wedding ring

Quarrels can mar any marriage (photo courtesy of Photos8.com)

When a woman quarrels with her husband, she tells him she wants to visit her parents. As a matter of courtesy, he agrees. He accompanies his wife and brings a gift for her parents.

The mother asks the husband to let the young woman spend several days with her. And, of course, he agrees again.

After two or three days, the husband expects his wife to come home. She wants to teach him a lesson and to make him more circumspect next time.

Soon the husband relents. He sends “go-betweens”, prominent, older people who are respected in the community. He sends gifts.

Most often, that’s all the wife was waiting for. Didn’t God say in the Sacred Book, “Reconciliation is preferable”?

Only, in our story, the woman had neither father nor mother, not even an older brother. How could she teach her insolent husband a lesson?

Hospitality in the forest

African lion Tanzania

The lion was lying before his den (African lion Tanzania courtesy of Photo8.com)

Her servant, Habra, found the solution. “Mistress, let’s go to the lion, king of the forest. He is know for his generosity and discretion.”

The wife wrapped herself in her cloak, as did her servant, and they went to the lion.

When he heard their request for hospitality, he replied, “Marhaba! (Welcome!) You do me honor. Come in! My house is yours.”

They moved into the den of the hospitable lion. Every day he went hunting and brought them choice game. He placed it before the entry, then withdrew. He watched over them and protected his guests.

The husband sends a go-between

The husband wanted his wife to return. As go-between he chose the Taleb, the person who knows the Koran by heart.

The Taleb said, “It is no use being proud. Your wife deserves this effort. Have you thought of gifts?”

“Yes, here is a length of silk for a robe and also something for the servant, for she is loyal to her mistress. My wife will understand that I truly desire the reconciliation recommended by God.”

The Taleb promised to do whatever was necessary as go-between. Gifts in his arms, he walked toward the forest.

The Taleb intercedes

Lion Tanzania

The lion greeted the Taleb (photo courtesy of Photos8.com)

He greeted the lion, who lay before the entry. “God’s guest, your lordship.”

“You are welcome, marhaba. What may I do for you?”

“It is not for me but for the husband of the woman you have so generously received, as well as her servant. The husband is desperate because his wife seems in no hurry to return. Because she is under your protection, he wishes to convince you of his good intentions and, above all, of his remorse. He promises that nothing of the sort will happen again, in cha-allah!”

“Honorable Taleb, your intercession is a great honor, but my guest must decide, on her own, at her leisure. For if it is my duty to desire the reconciliation of spouses, my duty of hospitality is equally sacred.”

The young wife returns

The young wife had been waiting for her husband’s first gesture. She wanted to return to him as quickly as possible. She thanked the lion for his gracious reception and the respect and consideration he had had for her and her servant. She covered herself with her veil, as did her servant.

When they came out, the Taleb, bowing his head, gave her the gifts and signaled that he would walk ahead of them to her husband’s house.

They said farewell to the lion, and the three of them walked cheerfully toward the house where the husband waited, with as much impatience as you can imagine.

A cloud over the celebration

Such a celebration! A whole roast sheep and a marvelous couscous—a feast—for the wife, the husband, and even the neighbors.

After the couscous and the barbecue came mint tea and cakes. The conversation was lively and happy. The wife praised the virtues of the lion, his discretion and the respect he always showed his guests.

She didn’t know King Lion was listening behind the tent. He wanted to savor the compliments he was sure his dear guests would shower on him.

But it was not an unclouded joy. The servant had a few reservations.

“May God reward him a hundredfold. He was so magnificent, so good, so respectful. If only, how shall I say this…He gives off such a terrible odor one has to hold one’s breath. On top of that, sometimes he breaks wind, a little as if someone had broken a dozen rotten eggs a few steps way. Of course, there’s nothing he can do about it. It’s his nature, and nothing will make us forget his kindness!”

The lion’s difficult request

The lion was wounded. He returned home reeling from the shock.

The next day he met Habra in the forest. She had come to cut wood, as usual.

“Oh, good day, Your Majesty! What a joy to see you again and to thank you once more!”

Lion on the path

"Habra, has my wound healed?" (Photo courtesy of Photos8.com)

“Good day, Habra! What are you holding in your hand?”

“Well, Your Majesty, it’s the hatchet for cutting wood!”

“Ah, yes. Then I would like for you to give me a little blow between the eyes.”

“After all your kindnesses, Sidi [a term of respect]? You must be joking?”

“Oh, no, Habra, I am completely serious. There, right between the eyes, a good little blow. I would like to see the blood flowing!”

“Forgive me. I couldn’t.”

“Habra! It is an order! Go ahead, strike me! If you don’t…” His flashing eyes made the poor girl shiver. “Quickly, Habra! I am in a hurry! And your masters await you return. Go ahead, it will be quickly done, quickly forgotten!”

Deeply distressed, she slowly raised her hachet…and gave…oh, just a little blow, there, between the eyes, as his majesty has insisted.

When she tried to wipe away the blood, he gently pushed her away. “No, no, it’s all right. You may go cut your wood.”

When the spirit is wounded

They parted, but from that day on, the lion met Habra from time to time, as if by chance, and asked, “Has my little wound healed?”

“Oh, no, Sidi. I would like to see the earth open beneath my feet, so that I might no longer blush to see the mark of my ingratitude!”

“Oh, no, it’s nothing. Goodbye, Habra.”

For several weeks Habra’s trial continued. The lion lay in wait, and he always asked the same question, “Has my wound healed?”

“Oh, Sidi, not yet.”

“It’s nothing. You’ll see. It will heal.”

“That is my dearest wish.”

“There now, don’t worry so about me. Go about your business.”

One day the lion met Habra as usual, “Has my wound healed?”

“Oh, at last! Yes, Sidi, I am so happy! It has completely healed over.”

“Ah, yes, Habra, you see! Everything can heal, when it is a question of the body. But wounds to the heart never heal, even though no one sees them.”

And he pounced on her and devoured her.

  • Share/Bookmark

Out of the mouths of babes

When I stepped off the train in Ludwigsburg, I could read disappointment in the eyes of a six-year-old who had come with her mother to pick up the visiting storyteller. I was touring American military schools, and this night I was to be a guest in the child’s home.

I’m not sure what she thought a storyteller would look like. I’m pretty sure she didn’t expect an ordinary, middle-aged woman.

We walked to a café in the town square and ordered lunch. While we adults chatted easily, the little girl sat silent, wrapped in her disillusionment.

It was a cool day. The child was shivering. I offered her some of my hot soup. She took a few spoonsful. Then she looked me in the eye.

I could see something shift. “Do you want to hear a story?” she asked.

For the next thirty minutes she spun one story after another. Her mother was stunned. I was enchanted.

It turned out her babysitter had been reading folktales to her. The child had memorized her favorites and told them flawlessly. She was completely caught up in Rapunzel’s dilemma, Blue Beard’s treachery, and the menace of Baba Yaga. So were we.

The video below makes me think of that talented little storyteller. Capucine is French and is a brilliant, natural storyteller. The video her mother made of her at the age of four was so popular she decided to use it to support education for children in Mongolia. You can still contribute to the cause at Capucine’s Library (which also has a video of the little munchkin, pitching for donations so Mongolian children can read and have books).

Once upon a time… from Capucha on Vimeo.

  • Share/Bookmark

Tugging the heart with an ad story

I generally consider myself fairly immune to advertising, but the ads for Apple’s FaceTime app for iPhone4 makes me want to run right out and buy this smart phone. And I don’t even carry a cell phone.

What so successfully bypasses my normal resistance is the stories. In this series of ads we people separated by distance who are connecting via FaceTime. A young woman tells her delighted husband he is going to be a dad. A new grandfather sees his son’s baby for the first time. The father of a teen with new braces gets her to crack a smile. A boyfriend reassures his girlfriend her new haircut is cute. And a series of people missing each other get to see and talk to the people they love.

Each small vignette is a piece of a larger story, and every one of them tugged at my heart.

Using stories to sell products is nothing new, but occasionally an ad campaign comes along that uses them particularly effectively. These Apple ads are in that category.

I’m not going to run out and buy an iPhone4. After all, FaceTime only works if the person you want to talk with also has Apple’s latest smart phone and the FaceTime app.

But I’m tempted.

  • Share/Bookmark

Narrating the Gulf oil spill

I’m noticing the different ways people are choosing to tell the story of the oil spill. There are no edges to the disaster. Even the beginning has spiky fingers. How do we deal with oil-soaked birds, dying turtles, the shattered lives?

Here are eight of the stories people have created to make sense of the senseless. Some are serious attempts to come to grips with the consequences of the spill. Some are parodies. One is a conspiracy theory.

Vancouver photographer Kris Krug was hired by National Geographic but was able to share his photos on Flickr’s Creative Commons so that people everywhere could use them to tell the story of what happened and what must be done.

CBS tells the story of the human cost of the spill through the suicide of lifelong charter fishing Captain Allen Kruse.

UCB’s Comedy Channel chooses parody to tell the story: “When BP spills coffee”.

The BP Oil Spill Chronicles is a news mashup that points fingers in all directions.

RTAmerica video blows the whistle on BP, telling the story of “A culture of neglect driven by penny pinching”.

Tremendous News uses cats to tell the BP story.

Russia Today focuses this story on the “wildlife apocalypse”.

One of the strangest stories is attributed to an “unknown online entity”, claiming the whole thing is an illusion.

  • Share/Bookmark

Storytelling and science

It’s been two decades since I copied the quotation below from Jim Nollman’s book, Spiritual Ecology. At the time I wrote it down, I substituted “storyteller” for “artist”.

I was prompted by the question so many children asked when I told stories in schools, “Is that true?” I finally settled on this answer: “All of my stories are true, but not everything in my stories happened.”

That always seemed to satisfy the young questioners. They grasped intuitively what adults often seem to forget, that we can find truth in a dance, a painting, a story, a poem. It’s not a truth that can be counted, nor an experience that is suited to experimental processes.

But then, frankly, neither is the physical world scientists subject to measurements. Scientific research starts with a hypothesis, which is, in a sense, a story about the way some substance or process or creature or interaction is expected to behave. Stories start the same way, with speculation about the way people will behave.

Both are influenced by the life experience of the observer, whether scientist or storyteller. Both are subject to the surprise element. Both can be turned on their head when a scientist or storyteller comes at the research or story from an entirely different perspective.

So while I still like this quote, I no longer see the worlds of the scientist and the artist as separate and distinct. Both test hypotheses. Neither can successfully separate from the larger context. Both are essential to our lives.

An artist also asks questions. But instead of utilizing rigor and skepticism to provide experiential answers that exist in a direct causal relationship to those questions, he or she focuses upon a medium that provides the experience directly. The artist works to convey a perceptual message in a manner that requires no operational definitions and no rigid rules of correspondence to expel the subjective perception of his or her own consciousness. And whereas a scientist thrives on absolute answers expressed as numbers, an artist thrives on process. A scientist seeks to expand humanity’s frame of reference; an artist seeks to expand humanity’s depth of insight. ~ Jim Nollman, Spiritual Ecology

  • Share/Bookmark

Overturning stereotypes with a new story

It might seem a stretch to include this video in the Story Route blog, but it seems to me this is the kind of story that can completely upend stereotypes and spur creation of a new story.

Things have changed a great deal since I picked up a skipping rope and began jumping away. That was decades ago, at a time when boys would not have been caught dead doing something so, well, girlie.

I’d like to think that’s one more stereotype that has crumbled, one more story about female inferiority that no longer tracks. The faces of the men in the US Naval Academy audience tell me otherwise.

As the fourth- through eight-grade girls begin their rope-skipping routine, the camera pans to a lot of jeers among the guys in the crowd. Less than eight minutes later, those same guys are giving a standing ovation to the Kings Firecrackers.

I have a hunch a lot of those fellows have told the story over and over, of how they couldn’t understand why such a stupid halftime show was being offered. But the story will likely have a twist, of their gradual realization they were watching young athletes with incredible skill, coordination and strength.

And maybe the story’s lesson will spill over into other attitudes, making the world a better place as these girls grow into womanhood.

  • Share/Bookmark

Twittering a new story

The oil spill in the Gulf is everybody’s story, but from our distant vantage points, we are not always sure how to influence it.

NASA image of oil slick

NASA image on June 26, courtesy of NASA Goddard Photo and Video's Flickr photostream

I write on Day 68 of one of the world’s most horrendous environmental disasters, with little to cheer as we watch scenes of wildlife coated in sticky goo and read stories of the psychological toll on coastal residents.

The Twitter universe is abuzz with 140-character messages. The satiric BPGlobalPR taunts the oil giant with messages purportedly from BP, such as: “Keep in mind, the more your interest in the oil spill wanes, the less damage the oil does” and “We are doing everything we can to stop the information leaks in the gulf”. Others post links to breaking news or to the reflections of dozens of bloggers.

Paul Steele decided to ask fellow Twitter users (aka Tweeps) to join him with one, simple message: “Clean the Gulf”. The video starts with the ubiquitous Twitter “fail whale”, the cartoon character who cheerfully—and frequently—sails onto the screen with the message that Twitter is “over capacity”.

Spliced between some of the most wrenching photographs of the oil spill and its aftermath, people sing their pleas or hold signs with messages such as: “Save the oceans and the animals”, “Don’t blow it. Good planets are hard to find” and “We are all complicit. We must end our fossil fuel addiction”.

Will a Twitter video reverse the damage spreading like a cancer over the Gulf? Not likely, but when a dominant story is one of such magnitude and impact, we have to find a way to deal with it. So we tell stories to put it in context, stories based on the news we see or hear, the opinions of friends, and our own experience of life.

By becoming part of this Twitter video, people from around the globe took the chance to edit at least a part of their own oil spill story. The new story they created together says more than “Clean the Gulf”. It also says, “We are in this together”. It reminds those responsible, “We are holding you accountable”.

For the participants themselves it says, “I am not powerless in the face of disaster.” And that is the only story that leads to action instead of paralysis.

  • Share/Bookmark

Narrating the way to a new future

Those of us immersed in storytelling believe, at a gut level, that if we want to change something, we have to change the stories we tell about it.

Take climate change, for example. If we dismiss concerns as paranoia, we find support in stories that discount the science. Climate Change Skeptic is a good example. On the other hand, if we believe the growing body of research trying to raise awareness, we are more likely to turn to sources like Grist’s How to Talk to a Climate Skeptic: Responses to the most common skeptical arguments on global warming .

Noah's Ark from the movie "Evan Almighty"

Noah's Ark from the movie "Evan Almighty", photo from Jack Duval's Flickr photostream

CIAO! (Children’s International Arts Organization) asked children, scientists, artists and architects, “If you were sailing away on an ark to a low carbon future, what would you save and what would you leave behind?” Together the participants created a new story, “a positive vision of a low carbon future”.

The Ark is the public installation that resulted from the project. The five-day celebration, from June 23 to 27, was planned for a fitting spot: the centre of Oxford University’s science quarter.

Before the children set to work, they heard from leading scientists. They not only learned of the challenges our planet is facing. They also heard how they could make a difference. Then they worked with artists to create their vision of a greener world.

Scientists, artists and children creating a new story. How much more hopeful that is than the kind of argument and counter-argument that has world leaders in a state of paralysis, unable to craft a viable story to guide action.

  • Share/Bookmark

Remembering Spencer Shaw

News came today, via another of storytelling’s greats, Margaret Read MacDonald, that Spencer Shaw has gone to the big storytelling circle in the sky.

I quickly turned to YouTube to see if anyone had posted a video of this consummate gentleman and talented storyteller and found a two-part interview from the University of Washington.

It was in a UW classroom that I first met Spencer Shaw. He was teaching a children’s literature class. I was studying to become a school librarian.

He was the first person to introduce me to storytelling as a modern craft and as one of the best tools in the kit bag of any school librarian. With whatever starting words he began a story—”once upon a time”…”once there was…”—Spencer was transformed. His eyes sparkled. His always stately speech became conspiratorial, inviting us into the fun.

During one of my visits to Seattle, during my brief stint as an elementary school librarian, I asked him why children wanted to hear the same story again and again.

His answer is still the best I’ve heard. “It’s because the children know what’s coming, but the characters don’t.”

A tribute to Professor Emeritus Spencer Shaw can be found on the UW’s Information School Web site.

Part 2 of the interview:

  • Share/Bookmark